Yunho of TVXQ has shared his heartfelt thoughts after receiving a Presidential Commendation for his contributions to Korean pop culture an honor that comes as the group marks more than two decades in the industry.
On November 5, the artist held a press conference at the Sofitel Ambassador Seoul Hotel in Songpa District to commemorate the release of his first full-length solo album, I-KNOW. During the event, Yunho looked back on his journey and expressed gratitude for the recognition he and fellow member Changmin recently received at the 2025 Korea Popular Culture & Arts Awards, held on October 23.
![YUNHO in a suit standing in front of a blue backdrop that says 'The Album [20&2]'](https://i0.wp.com/wikipickymedia.com/wp-content/uploads/2025/11/origin_%EC%9C%A0%EB%85%B8%EC%9C%A4%ED%98%B820%EC%A3%BC%EB%85%84%EA%B0%90%EA%B2%A9.jpg?resize=696%2C455&ssl=1)
“It means a lot that TVXQ received such a meaningful award,” Yunho said. “Looking back, I realized how rewarding it feels to have been part of the K-pop industry all this time.”
He continued with a touch of humor and reflection:
“We were lucky to have started during the cassette-tape era and continue through CDs and now the digital age. It’s something I’m really grateful for — being able to still greet fans as active artists after all these years.”
Yunho also acknowledged the many younger idols who view TVXQ as their role models, saying,
“When juniors call us their role models, I believe they’re recognizing our journey in a positive light and I suppose at least one of us should say that out loud,” he added with a laugh.
Following the discussion, Yunho introduced his new solo album I-KNOW. The album features 10 tracks, including the double title songs Stretch and Body Language. Stretch blends intense electronic sounds with whispered vocals, symbolizing the emotional tension between performance and self-expression, while Body Language offers a more sensual and fluid interpretation of that theme.
Yunho’s I-KNOW officially released today (Nov. 5) at 6 p.m. KST, marking another milestone in his evolution as both a performer and creator.
Editor’s Insights: Yunho’s ‘I-KNOW’ and the Presidential “Stamp of Excellence”
Yunho’s receipt of the Presidential Commendation in late 2025 serves as a definitive validation of his “Passion Mansour” persona, transforming a fan-given nickname into a state-recognized legacy. By receiving this honor as TVXQ marks 22 years, Yunho has successfully bridged the gap between a “first-generation idol” and a “national cultural asset.” His first full-length solo album, ‘I-KNOW’ (released November 5, 2025), was a strategic masterclass in artistic maturity. Rather than chasing fleeting digital trends, Yunho utilized the “Fake & Documentary” concept to showcase a dual identity—pairing the high-energy, electronic intensity of “Stretch” with the retro-funk, hip-hop fusion of “Body Language.” This approach resonated deeply across Asia, with the album topping Oricon’s Weekly Digital Album Chart and Billboard Japan, proving that his brand of performance-led storytelling remains a gold standard in the 2026 market.
From an editorial perspective, the “Yunho Effect” in 2026 is centered on his unprecedented professional longevity. As of April 3, 2026, he is currently at the peak of his most ambitious year yet, preparing for the historic “TVXQ 20th Anniversary LIVE IN NISSAN STADIUM ~RED OCEAN~” in Yokohama (April 25–26). By returning to Nissan Stadium for a record-breaking third time, TVXQ is solidifying their status as the most successful overseas act in Japanese history. Furthermore, the February 2026 release of the commemorative film “IDENTITY” has successfully reframed the group’s narrative from “nostalgic icons” to “active legends.” As Yunho continues to be cited as the ultimate role model for younger idols (including his recent vocal collaboration with EXO’s KAI on “Waterfalls”), the narrative focus for 2026 remains on his ability to evolve. Whether through his “bass-heavy” vocal growth or his breaking-culture influence, Yunho has proven that 22 years is not a sunset, but a new dawn for the “King of Performance.”

