Actress Seo Ye-ji is preparing for a major new chapter in her career as she steps onto the theater stage for the first time since her debut. She will appear in the play Hymn of Death, marking her first-ever challenge in live theater.
Although the production is scheduled to open in 2026, Seo Ye-ji is currently fully immersed in rehearsals. The project fulfills her promise to fans to return with meaningful work, even if the timeline shifted beyond 2025.

A Career First After Acclaimed Screen Roles
Seo Ye-ji has built a strong reputation through dramas such as Eve, It’s Okay to Not Be Okay, and Save Me, as well as the film Recalled. Known for her controlled emotional depth and distinctive presence, she now turns to the stage, a format that demands uninterrupted focus and raw performance without the safety of retakes.
Her theater debut is seen as a significant artistic step, one that tests her range and reinforces her commitment to growth as an actress.

Portraying Yoon Sim-deok in a Turbulent Era
Hymn of Death is set in the 1920s and explores the lives of artists struggling through a time of social upheaval. The story centers on love, artistic passion, and an unrelenting desire for freedom in an era defined by constraint.
In the play, Seo Ye-ji takes on the role of Yoon Sim-deok, a tragic soprano who left a lasting mark on Korean cultural history. Rather than depicting her as a passive victim of fate, the production reimagines Yoon as a woman who makes deliberate choices about her life, relationships, and art, even when faced with overwhelming pressure.
This interpretation places strong emphasis on agency and self-belief, qualities that align closely with Seo Ye-ji’s nuanced acting style. Audiences are eager to see how she brings emotional complexity and modern sensitivity to a historical figure.

A Character Built on Choice and Identity
The 2026 season of Hymn of Death is expected to focus heavily on the internal conflicts and decision-making processes of its characters. By highlighting personal choice and subjectivity, the production aims to present multidimensional portrayals rather than symbolic tragedy alone.
Seo Ye-ji’s transition from screen to stage is anticipated to play a key role in shaping the emotional weight of the performance. Her experience in character-driven narratives positions her well to carry a story that unfolds entirely through live presence and voice.
Performance Details
Hymn of Death will run from January 30 to March 2, 2026, at Sejong Center for the Performing Arts M Theater in Seoul. As Seo Ye-ji’s first theatrical appearance, the production has already drawn attention from both theater audiences and fans of her screen work.
With this debut, Seo Ye-ji signals a willingness to confront new artistic challenges and redefine her trajectory. Her return through live theater suggests not only a shift in medium, but a deeper exploration of character, choice, and personal conviction.

